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Yet, with success comes a familiar danger. Dibyendu Bhattacharya, commenting on Saiyaara's triumph, offered a sobering observation: "This is a formula-oriented industry. When one thing works, everyone follows it. I can guarantee this—now that Saiyaara has become a hit, there's going to be a mad rush among people to make love stories". He predicted that just as Lagaan spawned 50 scripts about rural cricket, and Dil Chahta Hai led everyone to write stories about groups of friends, romance is now poised for a potential flood of imitative content.

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From the classic love stories of the 1950s and 60s, such as "Shree 420" (1955) and "Mughal-e-Azam" (1960), to the modern-day rom-coms like "Dilwale Dulhania Le Jayenge" (1995) and "3 Idiots" (2009), Bollywood has consistently delivered romantic tales that have captured the hearts of audiences. The genre has evolved over the years, incorporating new themes, characters, and storylines, but the core essence of romance has remained a constant. Yet, with success comes a familiar danger

The romantic entertainment segment has shifted from broad family appeal to specific high-value demographics: I can guarantee this—now that Saiyaara has become

Historically, Bollywood has moved through different phases of romantic narratives.