| Usage Location | Primary Goal | Recommended Technique | | :--- | :--- | :--- | | | Adding character, depth, or focus to a single sound. | Place it as an insert effect. Use Stereoize I for colorful leads, Stereoize II for organic instruments. Use Width control to push pads out or pull the bass in. | | Mix/Groups Busses | Creating a cohesive soundscape for a group of instruments (e.g., a synth bus or backing vocal bus). | Subtle application is key. A small amount of Stereoize II or a slight width increase on a group buss can add glue and ambiance without causing a muddy stereo field. | | Master Channel | Adding the final sense of "air" and space to the entire mix. Must be handled with extreme care. | Use as the last plugin before the limiter . Most professional advice suggests subtle increases (3-12%) on the Width control, often with Stereoize turned off, to add a final touch of openness without sacrificing mono punch. |
Keep your average correlation above 0. Occasional dips into negative territory for snare hits or synth stabs are fine, but sustained negative correlation will collapse your mix. ozone imager 2
Advanced users might find the controls too simplistic for complex mastering tasks where frequency-specific imaging is required. Expert Tips for Use | Usage Location | Primary Goal | Recommended