The Poto-Poto school was one of the first art movements in sub-Saharan Africa to be commercially successful and recognized internationally. By the 1960s and 70s, Poto-Poto paintings were being exhibited in Paris and New York.
: Instead of standard round blur spots, users could choose different shapes like hearts, stars, or hexagons to add a creative flair to light sources in the background. poto poto bokeb top
The defining technical innovation of the Poto-Poto school is the "miroir" (mirror) technique. This involves a pointillist method where the artist uses the tip of the tube of paint rather than a brush. They squeeze small dots of color directly onto the canvas. The Poto-Poto school was one of the first