| Year | Title | Role | Notes | | :--- | :--- | :--- | :--- | | 2021 | Miracle Workers: Oregon Trail | Farmer | TV Series | | 2017 | The Brave | Customs Supervisor | TV Series | | 2016 | MacGyver (2016) | Guard | TV Series | | 2013 | Oz the Great and Powerful | Fisherman | Film (Uncredited) | | 2013 | Iron Man 3 | Insurgent | Film (Stunts/Actor) | | 2013 | Sidewalk Singer | Kris Kivi | Film | | 2012 | Margarine Wars | Pete the Mechanic | Film | | 2012 | Nashville | Guard | TV Series | | 2011 | Hostel: Part III | EHC Client | Film | | 2011 | 13th Sign | Brody | Film | | 2011 | CornerStore | Nazario | Film | | 2011 | The Key | Cast Member | Film | | 2010 | Guilty Innocence | Attorney Jackson | Film | | 2010 | Cleaned Out | Detective | Film |
Expanding on the themes of his short, Sindi’s documentary "The Other Side of the River" delves into the real-life struggles of refugees and asylum seekers, emphasizing their resilience and humanity. The film interweaves observational footage of their journeys with intimate interviews, underscoring systemic barriers they face in a globalized world. It premiered at the Traverse City Film Festival, where it was praised for its empathetic lens. shirzad sindi film work
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In an industry that often demands fast pacing and high drama, Sindi dares to be slow. He allows his scenes to breathe, trusting the audience to read the emotion in a glance or the weathering on a face. This "slow cinema" approach is not a stylistic indulgence but a political statement. It asserts that the lives of ordinary Kurdish people—shepherds, teachers, children—are worthy of our full, undivided attention. This public link is valid for 7 days
His work consistently circles back to the human experience under duress, particularly focusing on:
┌───────────────────────────┐ │ Shirzad Sindi Film Work │ └─────────────┬─────────────┘ │ ┌─────────────────────────┼─────────────────────────┐ ▼ ▼ ▼ ┌──────────────────┐ ┌──────────────────┐ ┌──────────────────┐ │ Visual Grandeur │ │ Existentialism │ │ Historical Real │ │ Inspired by │ │ Exploring depth │ │ Translating │ │ Christopher Nolan│ │ & human trauma │ │ war epics │ │ (Scale & Design) │ │ (e.g. Oppenheimer│ │ like Mendes' 1917│ └──────────────────┘ └──────────────────┘ └──────────────────┘ The Nolan Factor: Scale and Cinematic Physics