Work Exclusive: Tarzanxshameofjane1995engl
However, the legal effort ultimately failed to fully ban the film. D’Amato’s production company capitalized on international copyright loopholes—including renaming the primary character in alternative cuts and leaning into parody protections—allowing the film to achieve highly lucrative, widespread distribution across Europe and the global VHS market.
The film's notoriety is amplified by its iconic lead actors. The role of Tarzan, or "Apeman," was played by the legendary adult film star Rocco Siffredi, a towering figure in the industry. Playing opposite him as Jane was his real-life wife, Rosa Caracciolo. This on-screen and off-screen chemistry is often cited as a key element that elevates the film beyond standard adult fare. tarzanxshameofjane1995engl work exclusive
The climax of the film, where Tarzan must choose between his life in the jungle and his love for Jane, is both moving and thought-provoking. This choice symbolizes the broader theme of identity and belonging, questioning what it means to be part of a community and to love someone from a different world. However, the legal effort ultimately failed to fully
Unlike standard adult features of the 1990s that relied entirely on cheap indoor sets, Joe D'Amato aimed for an ambitious scale. The film was shot entirely on location in Kenya, providing real jungle backdrops, wildlife, and authentic natural lighting. D'Amato acted not only as the director but also as the writer and cinematographer, blending classic Italian exploitation cinema techniques with adult narratives. Cast and Characters The role of Tarzan, or "Apeman," was played
The film follows a familiar narrative structure: Jane, an aristocratic woman, ventures into the deep jungle only to encounter a wild man raised by apes. Unlike the family-friendly versions of the story, this adaptation leans heavily into the primal and sensual awakening of its protagonist.
The supporting cast includes Attila Schuszter (credited as Attila Schulter) as Mike, Swetta Silvestru, and Cinzia Raffaeli. Behind the camera, D’Amato wore multiple hats, handling not only direction and writing but also serving as cinematographer under the alias Federico Slonisko.