In 1980s and 1990s dramas, the introduction of a new partner was frequently framed as an existential threat to a child's psychological well-being or a source of bitter, unresolvable rivalry.
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This brings us to the central thesis of the modern blended family film: the redefinition of parenthood. Biology is no longer the sole tether. Films are increasingly arguing that parenthood is an act of showing up. It is the stepfather sitting through a tedious school play, the stepmother learning the intricate rules of a stepchild’s world, not to replace the biological parent, but to augment the child’s support system. In 1980s and 1990s dramas, the introduction of