Rie Tachikawa Interview Full __exclusive__ Jun 2026

"There is more opportunity now, which is wonderful," she says. "But there is also a pressure to be 'international,' to fit a certain mold that the West expects of Japanese women. I resist that. I want to play Japanese women who are real—complicated, difficult, funny, and flawed. I don't want to be an exotic prop."

Fewer tools often yield deeper, more creative solutions. rie tachikawa interview full

Thank you for having me. I would say it is a mix of both, but organic evolution takes the upper hand. Early in your career, you try to control everything. You want every frame, every line, or every word to match the ideal image in your head. But perfectionism can be a trap. Over time, I learned that the unique parts of your voice usually hide in the mistakes—the textures you didn't plan for, or the emotional shifts you didn't anticipate during the drafting phase. "There is more opportunity now, which is wonderful,"

Thank you for sitting down with us, Rie. To start, your work often utilizes an immense amount of negative space—what is known in Japanese traditional art as ma (間). How do you balance this emptiness without making a design feel incomplete? I want to play Japanese women who are

Pairing regional Japanese produce with Western culinary techniques.

from his most recent interviews

I am also keeping the door open to film and media projects, but only if they align with my current values. I no longer feel the need to chase volume; instead, I prioritize depth, authenticity, and projects that respect the natural evolution of the artist.